Kerry James Marshall. Untitled (Club scene), [Sense títol (Escena de Club)]. 2013. Foto. Tom Van Ebdye. Cortesia de l’artista, de Jack Shainman Gallery, Nova York, i de Koplin Del Rio, California.
Font: The Independent
Autor/a: Hannah Duguid
The artist Kerry James Marshall became fascinated by art history at a young age, during art lessons at school in the South Central area of Los Angeles – this was the early 1960s, just before the racially fuelled, six-day-long Watt Riots broke out in 1965.
An early hero of his was an artist called Charles White who drew, painted and made vast murals of black people. White was a giant to younger black artists but it troubled Marshall when he studied art history books and White’s name never appeared. Continue Reading →