6 February – 20 May 2018
Allora & Calzadilla
The severe climatic vulnerability and the economics of debt extraction suffered by the island of Puerto Rico can hardly be ignored, as it is the background that gives political meaning to the works of Allora & Calzadilla.
Curators: Sara Nadal-Melsió i Carles Guerra
Jennifer Allora (b. 1974, USA) and Guillermo Calzadilla (b. 1971, Cuba) have collaborated on an expansive and experimental body of work since 1995. Through a research-based approach, their works trace intersections of history, material culture, and politics through a wide variety of mediums, namely performance, sculpture, sound, video, and photography.
For this exhibition at the Fundació Antoni Tàpies, their first solo show in Spain, Allora & Calzadilla present a selection of works produced between 2005 and 2018. The musical dimension of these pieces indicates to visitors that here, quite possibly, the visual is subordinated to the auditory. One work leads to another, so that Stop, Repair, Prepare: Variations on “Ode to Joy” for a Prepared Piano, 2008, can lead either to the wall emitting Wake Up, 2007, or to the upper floor where Hope Hippo, 2005, can be heard thanks to the sound of a whistle.
The exhibition has not been given a specific title, beyond the name of the two artists, because, as Jacques Attali says, “in composition, to produce is first and foremost to accept the pleasure of producing differences.” This is how the composition of Allora & Calzadilla calls for a multiplicity of ways of being in the world, forms of existence that refer to the human and the animalistic, the organic and the mineral. For these artists, the acoustic represents an uninterrupted expansion that challenges the conception of the perimeter of the museum space.
But perhaps, despite these warnings, the viewer faces works that look like inactive devices, while others produce sound or are being activated by interpreters. This unusual condition evokes the background in which Allora & Calzadilla generate their work. A context marked by the multiple crises that plague Puerto Rico, especially economic and ecological. The passage of Hurricanes Irma and María at the end of September has left behind a state of emergency that has aggravated the situation on the island. The population has had to wait for help from abroad, which—according to the sociologist Javier Auyero—signals of another form of political subordination.
A catastrophe that reveals that the economic
deficit is also a reflection of the democratic deficit
that keeps Puerto Rico under a covert colonial
regime. An ambitious work like Puerto Rican Light
(Cueva Vientos), commissioned and installed by
the Dia Art Foundation in Guayanilla-Peñuelas, and
which closed days before the opening of this exhibition,
has been introduced at the Fundació Antoni
Tàpies without a physical material presence, but
rather through a debate and a screening that turn
the work into a rumor. A work that is spoken about
without necessarily having been seen.
Schedules of performances:
Stop, Repair, Prepair: Variations on “Ode to Joy” for a Prepared Piano , 2008
Dates: Friday, 13.00, 17.00 and 20.30 h; Saturdays, 12.00, 16.00 and 18.00 h; and Sundays, 11.00 and 13.00 h. Special session: Saturday 19 May, 2018 (The Night of the Museums), 8.00 and 10.00 h
Running time: approximately 20 min
Performer: Luca Ieracitano and Adrià Bravo
Lifespan , 2014
Dates: Thursday, 18.00 h (except 8 March, 29 March and 5 April, 2018) Saturdays 17 March, 7 April, 21 April and 5 May, and Sundays 4 March, 8 April, 22 april and 13 May, 2018. Special session: Sunday 18 February, 2018 (open doors on the occasion of the Festes de Santa Eulàlia), 12.00 and 13.45 h. And 19 May, 2018 (The Night of the Museums), 23.00 h. Special session: Sunday 18 February, 2018 (open doors on the occasion of the Festes de Santa Eulàlia), 12.00 and 13.45 h. And 19 May, 2018 (The Night of the Museums), 23.00 h
Running time: approximately 15 min
Performers: Mariona Llobera, Daniel Morales and German de la Riva, choir singers of the Cor de Cambra del Palau de la Música Catalana